Rating:
Genre:
Rap
Release Date: 07/26/1994
Run Time: 57:52
At the time of its release in March 1990 -- just a mere two years after
It Takes a Nation of Millions -- nearly all of the attention spent on
Public Enemy's third album,
Fear of a Black Planet, was concentrated on the dying controversy over
Professor Griff's anti-Semitic statements of 1989, and how leader
Chuck D bungled the public relations regarding his dismissal. References to the controversy are scattered throughout the album -- and it fueled the incendiary lead single,
"Welcome to the Terrordome" -- but years later, after the furor has died down, what remains is a remarkable piece of modern art, a record that ushered in the '90s in a hail of multi-culturalism and kaleidoscopic confusion. It also easily stands as
the Bomb Squad's finest musical moment. Where
Millions was all about aggression -- layered aggression, but aggression nonetheless --
Fear of a Black Planet encompasses everything, touching on seductive grooves, relentless beats, hard
funk, and
dub reggae without blinking an eye. All the more impressive is that this is one of the records made during the golden age of sampling, before legal limits were set on sampling, so this is a wild, endlessly layered record filled with familiar sounds you can't place; it's nearly as heady as
the Beastie Boys' magnum opus
Paul's Boutique in how it pulls from anonymous and familiar sources to create something totally original and modern. While
the Bomb Squad was casting a wider net,
Chuck D's writing was tighter than ever, with each track tackling a specific topic (apart from the aforementioned
"Welcome to the Terrordome," whose careening rhymes and paranoid confusion are all the more effective when surrounded by such detailed arguments), a sentiment that spills over to
Flavor Flav, who delivers the pungent black humor of
"911 Is a Joke," perhaps the best-known song here.
Chuck gets himself into trouble here and there -- most notoriously on
"Meet the G That Killed Me," where he skirts with anti-homophobia -- but by and large, he's never been so eloquent, angry, or persuasive as he is here. This isn't as revolutionary or as potent as
Millions, but it holds together better, and as a piece of music, this is the best
hip-hop has ever had to offer.
~Stephen Thomas Erlewine, All Music Guide
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