Rating:
Genre:
Country
Release Date: 11/09/2004
Just like the albums her husband/producer
Mutt Lange produced for
Def Leppard,
Shania Twain's albums are designed to generate hit singles for two or three years, which means that each of her blockbuster records -- 1995's
The Woman in Me, 1997's
Come On Over, 2002's
Up! -- already seem like greatest-hits records, since they're filled with huge hits. This makes assembling an actual greatest-hits album a little difficult, since not only is the material overly familiar, but there are so many hits that they're difficult to fit on a single-disc collection. Impressively, 2004's
Greatest Hits -- the first compilation
Shania has released in her career -- doesn't skimp in either the hits or its actual length. Weighing in at a whopping 21 tracks, it has every big hit from her career, bypassing just a handful of tracks (including anything from her eponymous 1993 debut, plus
"God Bless the Child" from 1996 and
"It Only Hurts When I'm Breathing" from 2004), none of which are greatly missed. The collection runs in reverse chronological order, beginning with the
ballad "Forever and Always" from
Up! then running through hits like
"Man! I Feel Like a Woman!," "That Don' Impress Me Much," "You're Still the One," "Any Man of Mine" -- all in their most familiar radio mixes, which means
pop mixes alternate with
country mixes according to the song -- before ending with four new tracks (the gleefully goofy
"Party for Two" is featured in two versions, a
pop version with
Sugar Ray's
Mark McGrath and a
country version with
Billy Currington). Taken as a whole, this is a pretty impressive and consistent body of work -- sure, her hits can be slick, glossy, and silly, but they're infectious, irresistibly catchy, impeccably crafted, and most importantly, still tremendous fun after hundreds of plays. This isn't straight
country, but it never pretends that it is. Instead,
Twain and
Lange poached the catchiest elements from
arena rock and
adult contemporary pop, peppered it with '90s pop culture references -- anything from bad hair days to
Brad Pitt -- and developed a glorious, supersized sound that defined mainstream
pop and
country for nearly a decade. And, as this wonderful collection proves,
Shania's hits not only defined their time, but transcend them, as this
Greatest Hits is as fun as
pop music can get.
~Stephen Thomas Erlewine, All Music Guide
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