Rating:
Genre:
Rock
Release Date: 09/20/2005
At All Cost's debut for the revitalized
Combat imprint (now distributed through
Koch) is one of the more inventive metalcore releases of the past couple of years, blending hard-charging guitar blare with lengthy and varied instrumental passages and alternating
Andrew Collins' hoarse scream with some pretty significant vocal manipulations. That's right --
It's Time to Decide might be the first metalcore record to ever feature a vocoder. At first, it's crazy.
"Death to Distraction" begins with
Collins' my-world-is-ending scream of the title, and the music is already galloping at manic speed -- it's like you opened a soundproof door into
At All Cost's very loud, very angry world. But then, just as quickly, there are these pitch-modified vocals, and it just sounds so impossibly strange and wrong over the churning, gritty, swirling instrumentation. But it grows on you --
Collins' ranting scream is as one-dimensional as any vocalist's would be, so the change of pace is nice. By the time you get to
"Death to Distraction"'s breakdown and it sounds like a Texas
metal take on
Daft Punk's
"One More Time," you know
It's Time to Decide isn't going to be typical. And it's not.
"Human Now" is fantastically propulsive
black metal with another vocal trick that takes you by surprise;
"Right Now" operates more in the
hardcore realm until its second half is swallowed by primordial gloom; and
"Irony" eases up on the unintelligible screaming so
At All Cost can deliver their view on the last 300 years of U.S. foreign policy. (
"Irony" is also one of the album's strongest melodic moments.) But
At All Cost aren't through busting up the metalcore framing device.
"It Burns Black" is a late-album instrumental that's full of slide guitar, unquestionably funky organ, and violin. Wait a minute, is this
Giant Sand or
At All Cost? When they aren't taking stylistic license,
AAC bring the
metal with precision. But they understand how limited that sound can be, even at its most loud and frenetic. By getting curious about their vocals and instrumental texture,
At All Cost effectively connect metalcore to
Mr. Bungle.
~Johnny Loftus, All Music Guide
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