Rating:
Genre:
R&B
Release Date: 09/26/2006
Despite being an early favorite who made it to the final round of 12 contestants,
Mario Vazquez bailed from
American Idol's fourth season, citing personal issues as the reason for his exit. Allusions and speculations led to the belief that
Vazquez had cold feet about a potentially paralyzing management contract with
AI's co-producers,
19 Entertainment, which would've been unavoidable if he had remained in the competition. He hired the lawyer who removed
Clay Aiken from
19's grip and, prior to competing, recorded vocals for
Worlds of Change, an album by a guitarist named
Cesar -- a big
AI no-no, even though it was like placing one grain of dirt in the path of a tank. Somewhat ironically, a freed
Vazquez wound up signing with
Arista, the same label that released the multi-platinum debut from
Carrie Underwood,
AI's fourth-season winner.
Vazquez's own first album seems no more or less autonomous than
Kelly Clarkson's
Thankful,
Ruben Studdard's
Soulful,
Fantasia's
Free Yourself,
Justin Guarini's ill-fated debut, or even
American Juniors'
Kids in America. With the involvement of heavy hitters like
Ne-Yo,
Stargate,
Scott Storch,
Sean Garrett, and
Johnta Austin, it's clear that
Arista controller
Clive Davis sees
Vazquez as someone who can go far beyond
AI. The singer's voice is smooth and attractive, and it's boyish while knowing as well -- as he demonstrated during his time on
AI, he's a natural entertainer. While there are a few standouts on this album,
Vazquez sounds tentative and too conscious about making the right moves, and the variety of material must be an experiment to find out where he fits best, including soppy
adult contemporary (
"4 the 1," "One Shot"), harmless
ska-inflected
pop (
"Don't Lie"), and marvelously horrible club-oriented garbage (
"Cohiba"). To absolutely no surprise, all the highlights fall within the realm of breezy
pop-
R&B, like
"I Bet" and
"How We Do It," both of which deserved to be summertime radio staples. The results next time should be significantly improved if
Vazquez can work with a smaller team that can give him a more personalized and focused set of songs.
~Andy Kellman, All Music Guide
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