Rating:
Genre:
Vocal Music
Release Date: 02/29/2000
Run Time: 50:04
This 1954 studio date, a self-titled album recorded for
Emarcy, was later reissued as
Sarah Vaughan with Clifford Brown to denote the involvement of one of the top trumpeters of the day.
Vaughan sings nine intimate standards with a band including
Brown on trumpet,
Herbie Mann on flute, and
Paul Quinichette on tenor, each of which have plenty of space for solos (most of the songs are close to the five-minute mark).
Vaughan is arguably in the best voice of her career here, pausing and lingering over notes on the standards
"April in Paris," "Jim," and
"Lullaby of Birdland." As touching as
Vaughan is, however,
Brown almost equals her with his solos on
"Lullaby of Birdland," "Jim," and
"September Song," displaying his incredible bop virtuosity in a restrained setting without sacrificing either the simple feeling of his notes or the extraordinary flair of his choices.
Quinichette's solos are magnificent as well, his feathery tone nearly a perfect match for
Vaughan's voice. Ironically though, neither
Brown nor
Quinichette or
Mann appear on the album's highlight,
"Embraceable You," which
Vaughan performs with close accompaniment from the rhythm section:
Jimmy Jones on piano,
Joe Benjamin on bass, and
Roy Haynes on drums.
Vaughan rounds the notes with a smile and even when she's steeping to reach a few low notes, she never loses the tremendous feeling conveyed by her voice. In whichever incarnation it's reissued,
Sarah Vaughan With Clifford Brown is one of the most important jazz-meets-vocal sessions ever recorded.
~John Bush, All Music Guide
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