Rating: NR
Genre:
Drama
Release Date: 04/12/2005
SubTitles: English/French
Dubbed: English
Sound: 5.1/1
Run Time: 93 Minutes
Flags: Suitable for Children
Distributor/Studio: Universal Studios
This Technicolor retelling of the
Gaston Leroux "grand guignol" classic
The Phantom of the Opera has a little more opera than phantom, but that's because the stars are soprano
Susannah Foster and tenor
Nelson Eddy.
Claude Rains carries the acting honors on his shoulders, playing a pathetic orchestra violinist who worships aspiring opera-singer
Foster from afar. The girl is unaware that
Rains has secretly been financing her music lessons with instructor
Leo Carrillo. When he runs out of money,
Rains attempts to sell the concerto that he's been working on all his life. Mistakenly believing that his precious concerto has been stolen from him,
Rains attacks and kills the music publisher he holds responsible. Terrified, the publisher's mistress throws a pan full of acid into
Rains' face.
Rains runs screaming into the night, and is not heard from for the next reel or so. Soon afterward, the Paris Opera house is plagued by a series of mysterious accidents. The managers are informed via letter that the "accidents" will continue if
Foster is not immediately promoted to leading roles. Only after reigning diva
Jane Farrar is drugged into incapacitation is
Foster given her big break.
Farrar accuses
Foster's boyfriend, police inspector
Nelson Eddy, of doping her in order to advance
Foster's career.
Farrar is later strangled, and
Eddy is accused of the crime. The culprit is, of course,
Rains, who now poses as the masked-and-caped "phantom". Maniacally determined that no one will impede
Foster's success,
Rains causes a huge chandelier to crash down on the opera audience when
Foster fails to appear onstage (she'd been kept from performing by police-chief
Edgar Barrier, who hoped in this manner to flush The Phantom out of hiding). A chase through the catacombs below the opera house ensues, with
Rains holding
Foster prisoner. When
Rains briefly lets down his guard, the tremulous
Foster removes his mask. It's "yecccch," all right, but nowhere near as frightening as the unmasking scene in the silent
Lon Chaney version of
Phantom of the Opera. The same can be said for the rest of this 1943 remake, though in fairness it appears as though the film wasn't really designed to scare anyone, but instead to serve as a suspense yarn with musical interludes.
Hume Cronyn makes his second film appearance in
Phantom in a microscopic role. The huge sets designed for this picture were hastily reused for the 1944
Universal melodrama
The Climax, starring
Boris Karloff and (again)
Susannah Foster.
~ Hal Erickson, All Movie Guide