Rating: NR
Genre:
War
Release Date: 04/22/2003
Dubbed: English
Sound: DDS2.0
Run Time: 156 min
Flags: Suitable for Children
Distributor/Studio: Live/Artisan
Gregory Peck had made scattered television appearances before, but the 3-hour
Scarlet and the Black was his first starring assignment in a made-for-TV movie.
Peck plays Monsignor Hugh O'Flaherty, a real-life cleric who, during World War II, rescued thousands of escaped POWs from the Gestapo.
Christopher Plummer co-stars as the Rome-based SS official who tries to catch O'Flaherty in the act. The film won several industry and religious awards, and earned three Emmy nominations. Based on J. P. Gallagher's book
The Scarlet Pimpernel in the Vatican,
The Scarlet and the Black premiered on February 2, 1983.
~ Hal Erickson, All Movie Guide
Nazi jackboots echo in the Vatican as
Hitler's henchmen try to find out who has been smuggling Jews and English soldiers out of Rome. And the game is on in this unheralded 1983
thriller based on a true story. The film pits Irish priest
Msgr. Hugh O'Flaherty (
Gregory Peck) against Rome's Gestapo chief
Lt. Col. Herbert Kappler (
Christopher Plummer).
Peck plays the priest as a wily and witty man of conscience who is as quick with his fists and tongue as he is with his elusive feet. He is a kind of
Scarlet Pimpernel. Disguised as a street vendor, a nun, or even a German officer, he steals past
Kappler's men again and again. Viewers may shout huzzas at the success of one of
O'Flaherty's stratagems. Early on in the film, he and
Kappler run into each other while leaving an
opera house. After they exchange pleasantries --
O'Flaherty's have subtle double meanings, the second ones insulting -- the priest asks
Kappler to autograph an
opera program. Flattered,
Kappler obliges. Later
O'Flaherty uses the autograph to forge
Kappler's signature on a document ordering the release of a prisoner.
Plummer is excellent as
Kappler, who is under pressure from
Hitler himself to subjugate Rome and counter subversive activity. At home, he is a loving father and husband. At work, he is a ruthless. On occasion, guilt pricks his conscience. (
Sir John Gielgud) portrays
Pope Pius XII as a man of dignity, humanity, and ambiguity. Clearly, in its sympathetic presentation of
Pius, the film is on the pope's side. It does not shrink from drawing attention to his controversial policy of appeasement with the Nazis. While viewing this film, be sure to watch until the epilogue appears.
~ Mike Cummings, All Movie Guide