Rating: R
Genre:
Music
Release Date: 09/07/2004
Dubbed: English
Sound: DD5.1/DDS2.0
Run Time: 103 min
Flags: Questionable for Children, Profanity
Distributor/Studio: Warner Home Video
This is a filmed documentary of a black music festival held on August 20, 1972 at the Los Angeles Coliseum, sponsored by Stax Records and Schlitz Beer. The L.A./Watts riots demonstrated the community's urgent needs to the black show-business community. All the proceeds from the concert and this movie went to charity. Among the better-known performers were
Isaac Hayes,
The Emotions,
The Staple Singers,
Little Milton and
Luther Ingram.
Richard Pryor, at the peak of his form, hosts and provides scatological and satiric comic relief.
~ Clarke Fountain, All Movie Guide
The 1972
Wattstax festival was the biggest
soul concert ever, and it follows that the film of the same name is one of the most notable documents of
soul music. It includes performances (usually very good ones) by some big and not-so-big names of the early-'70s scene:
Isaac Hayes,
the Staple Singers,
Johnnie Taylor,
Rufus Thomas,
Carla Thomas,
the Bar-Kays, bluesmen
Albert King and
Little Milton, and on down to more minor but worthwhile artists like
the Rance Allen Group and
the Emotions. It's not quite an eclectic across-the-board sampling of top-line
soul music, since all of the acts were associated with the
Stax label (hence the event title Wattstax). But as
Stax was the biggest
soul label of the day except for
Motown, that's not such a notable limitation. Actual music from
Wattstax is only about half the movie, however, as the filmmakers took a chance and integrated quite a bit of footage of African-American life from the streets of Watts (often centered around cinema verite monologues and dialogues) as well as numerous comic routines by
Richard Pryor and a few musical numbers not staged at the concert itself. While this to a certain extent guarantees an uneven quality, it also makes it more than a mere
concert film, but also serving as a reflection of early-'70s African-American urban life -- of which music, of course, was a big part. That's not to say the music fan won't find a number of memorable sequences here, like the outrageously costumed
Bar-Keys' movie-stealing
"Son of Shaft";
the Emotions' lovely gospel number, filmed inside a church; a sweaty
Johnnie Taylor in a nightclub; and a chicken-squawking
Rufus Thomas, who manages to avoid a festival stoppage when dancers overrun the field by coaxing everyone back into the stands with rap-like rhymes. Unfortunately, due to legal problems, the grand finale of
Isaac Hayes doing
"Theme From 'Shaft'" had to be cut from the initial release (another song filmed on a sound stage mimicking
Wattstax had to be substituted), but
Hayes' original
concert sequence is restored in the DVD version.
~ Richie Unterberger, All Movie Guide