Rating:
Genre:
Rock
Release Date: 10/03/2006
We Shall Overcome: The Seeger Sessions is an unusual
Bruce Springsteen album in a number of ways. For starters, it's the first covers album
Springsteen has recorded in his three-decade career, which is a noteworthy event in itself, but that's not the only thing different about
We Shall Overcome. A notorious perfectionist who has been known to tweak and rework albums numerous times before releasing them (or scrapping them, as the case may be),
Springsteen pulled together the album quickly, putting aside a planned second volume of the rarities collection
Tracks after discovering a set of recordings he made in 1997 for a
Pete Seeger tribute album called
Where Have All the Flowers Gone: The Songs of Pete Seeger. Enthralled by this handful of tracks -- one of which,
"We Shall Overcome," appeared on that tribute --
Springsteen decided to cut a whole album of
folk tunes popularized by
Pete Seeger. He rounded up 13 musicians, including some who played on those 1997 sessions, and did two one-day sessions in late 2005 and early 2006, swiftly releasing the resulting album that April. As
Springsteen stresses in his introductory liner notes, these were live recordings, done with no rehearsals, and
We Shall Overcome does indeed have an unmistakably loose feel, and not just because you can hear the Boss call out chord changes in a handful of songs. This music is rowdy and rambling as the group barrels head-first into songs that they're playing together as a band for the first time, and it's hard not to get swept up in their excitement.
Springsteen has made plenty of great records, but
We Shall Overcome is unique in its sheer kinetic energy; he has never made a record that feels as alive as this.
Not only does
We Shall Overcome feel different than his other work; it also feels different than
Seeger's music. Most of
Seeger's recordings were spare and simple, featuring just him and his banjo; his most elaborately produced records were with
the Weavers, whose recordings of the '50s did feature orchestration, yet that's a far cry from the big
folk band that
Springsteen uses here. His combo for the
Seeger sessions has a careening, ramshackle feel that's equal parts early-'60s hootenanny and
Bob Dylan and
the Band's
Americana; at times, its ragged human qualities also recall latter-day
Tom Waits, although the music here is nowhere near as self-consciously arty as that.
Springsteen has truly taken
Seeger's music as inspiration, using it as the starting point to take him someplace that is uniquely his own in sheer musical terms. Given that, it should be no great surprise that he also picks through
Seeger's songbook in a similar fashion, leaving many (if not most) of
Seeger's well-known songs behind in favor of a selection of
folk standards which
Springsteen learned by listening to
Seeger's recordings. (Author/critic
Dave Marsh researched the origins of each song here; there are brief introductions in the album's liner notes and thorough histories presented on the official
Springsteen site.) While the songs featured adhere to no one specific theme -- there are
work songs,
spirituals, narratives, and protest songs -- it is possible to see this collection of tunes as
Springsteen's subtle commentary on the political state of America, especially given
Seeger's reputation as an outspoken political activist, but this disc should hardly be judged as merely an old-fashioned
folk record.
We Shall Overcome is many things, but a creaky relic is not one of them.
Springsteen has drawn from
Seeger's songbook -- which he assembled in the '40s, '50s, and '60s from
traditional folk songs -- and turned it into something fresh and contemporary. And even if you have no patience for (or interest in) the history of the songs, or their possible meanings, it's easy to enjoy
We Shall Overcome on purely musical terms: it's a rambunctious, freewheeling, positively joyous record unlike any other in
Springsteen's admittedly rich catalog.
[
Columbia reissued the album in 2006, adding five bonus tracks and additional video content, including four live tour videos. Unlike the original release, this reissue is not a DualDisc.]
~Stephen Thomas Erlewine, All Music Guide
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